At the beginning, the EXODUS work questioned about the migration phenomena over the eras, specially over the last decades in the Middle East.
With reference to Friedrich Nietzsche's concept of eternal recurrence or the idea that the universe and its events have already occurred and will recur ad infinitum.
THE LEAVING, THE HARBOR, THE LONGING
It opened the door to infinite exploration and questions about our path and transformation through distance and time.
The interaction of the “human” with space, scale, voids, infinity and silence.
The used media is mostly rusted steel to enhance the sense of time, transformation and deterioration.
“L’usure du temps”.
From an existentialist point of view , the individual's starting point is characterized by what has been called "the existential attitude", or a sense of disorientation, confusion, or dread in the face of an apparently meaningless or absurd world.
From an existentialist point of view , the individual's starting point is characterized by what has been called "the existential attitude", or a sense of disorientation, confusion, or dread in the face of an apparently meaningless or absurd world.
A wink to the “Unbearable Lightness of Being” of Milano Kundera to whom“The heavier the burden, the closer our lives come to the earth, the more real and truthful they become”.
Yet, over the years the work reached a wider aspect to embrace the meaning of the human’s journey in it seek for the harbor, inner balance, peace.
